Big Top Cabaret 10 years ago
For the record, Big Top Video has been putting out some pretty juicy glamour tapes devoted to the glorification of the female chest. Only this time they may have gone a little over the edge with this combination of the gross and the gross out. For that reason, I think it's safe to say Big Top Cabaret is a limited audience appeal tape. Set up as a nightclub stage environment with Ron Jeremy straining to make funny intros, Cabaret presents five different ladies in various stages of breast development as exotic dancers. Each one goes into her specialty act, then takes on selected members of the male clientele who indulge in various forms of boob fantasy realization. I can readily accept Trinity Loren, whose embodiments are eyebrow raising and heart stopping, but not necessarily traffic-accident inducing. With Cara Lott, we're beginning to push the realms of possibility and imagination to the limit. It's only when we get to the proclivities of the Cajun Queen and Miss Twin Towers (76" of fighting Marlin) that requires a total suspension of belief. I grasp for a metaphor when trying to describe these bodies. The only thing that comes to mind is Gumby loses to gravity. Cabaret is only for the daring, and not the flat chested.Show more
BenHooker
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For the record, Big Top Video has been putting out some pretty juicy glamour tapes devoted to the glorification of the female chest. Only this time they may have gone a little over the edge with this combination of the gross and the gross out. For that reason, I think it's safe to say Big Top Cabaret is a limited audience appeal tape. Set up as a nightclub stage environment with Ron Jeremy straining to make funny intros, Cabaret presents five different ladies in various stages of breast development as exotic dancers. Each one goes into her specialty act, then takes on selected members of the male clientele who indulge in various forms of boob fantasy realization. I can readily accept Trinity Loren, whose embodiments are eyebrow raising and heart stopping, but not necessarily traffic-accident inducing. With Cara Lott, we're beginning to push the realms of possibility and imagination to the limit. It's only when we get to the proclivities of the Cajun Queen and Miss Twin Towers (76" of fighting Marlin) that requires a total suspension of belief. I grasp for a metaphor when trying to describe these bodies. The only thing that comes to mind is Gumby loses to gravity. Cabaret is only for the daring, and not the flat chested.